In the beginning was Remington Steele, at least in memory of the writer, that marked the title of each of its 96 episodes with puns on Steel (steel) and the like; then came The L-Word, where all the titles begin, of course, with the letter L.
Surely then they will not be playing a few series by titrating the individual episodes with themes and words occurring.
The mentalist chose red as the thread of his narrative (it is the key color of the assassin who killed the family of the protagonist) and its securities.
For this second episode, the keys are the enigma red hair and duct tape and, with this second episode, the series of Bruno Heller confirms the good quality of his scripts and its characters, not adding anything special, but smoothing some of the defects of the pilot.
The prologue, in addition to launching the narrative, of course, serves to define the capacity of the protagonist.
The episode is centered on one of the cornerstones of the new youth culture neocons, chastity ring, must find a concrete direction from having to follow for the rest the season - if not the series - and does it in a more than decent, improving the relationship between Patrick and his colleagues, especially the beautiful Teresa.
And the thread that binds the incidents and investigations, we must admit, seems to have already tied too.
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