#1 The ten best scenes of Dexter

Remember the moments that we feel best in eight seasons just concluded, none of which, unfortunately, extracted from the latest episodes. A Top Ten of the best times in eight seasons of the series Dexter.

 "The death of Rita" from season 4
In retracing Dexter as a whole, there were few doubts about what was the most strong, intense, dramatic and narrative critical of the eight seasons of the Showtime series: the bloody end of the fourth season,
History repeats itself, the discovery of Rita in the bath and the small Harrison in a pool of blood that resembled so closely the same where Dexter baby was found by her adoptive father Harry.

Hannibal vs Dexter : Interpretation actor

Hannibal and Dexter are two characters who base their existence on camouflage and concealment of instincts which are their primary impulse.
Mikkelsen, compared to disruptive Hopkins, Dr. Lecter gives a calmness almost mystical; its elegant movements and changes of expression can create a real subtext in which a simple smile can change the perspective of the sense of every speech just given, opening up new metaphorical greatly enrich the narrative. Hannibal, despite the title of the series pass as protagonist, draws its strength from the presence of a double dramatic relief as the character of Will Graham; this leads Mikkelsen to give his interpretation of an imprint Lecter actor.



Dexter instead stands alone in the undisputed protagonist: even the strength of the likes of Trinity or Brian Moser managed to steal the scene entirely. The strength of the interpretation of Michael C. Hall is in alternating expertly two registers interpretation in opposition to each other. As C. Hall has created a portfolio of expression in which the gap between good and evil is creating net, reaching both in front of the property and in the identification of the ultimate evil.


 Both types of interpretation tend to amplify the characteristics of the series which includes becoming essential elements; therefore, even in the face of the skill of the individual actors, we can not conclude that this comparison with a draw.

The following 1x02 - Trivial and obvious

The FBI is engaged on two fronts: on the one hand, the search for Joey, son of Joe Carroll and Claire Matthews, who was kidnapped by three of the followers of the former literature professor. On the other, catching Jordy, the prison guard who converted to the sect, fresh baptism of blood. Three students are added to the mass grave that Carroll has dug, and that his disciples has delegated the task of filling. Jordy

For me in this episode did not work at all.

The murderess / disciple of the week I was bored to death to be good, to be honest unwell. Moving beyond the stereotype idiot fat, ugly, sweaty and influenced who is swept beyond their capacity, ability and awareness, the part of this episode focused oozes mediocrity: we seriously believe that a man, who is wanted by ' FBI as a murderess and a follower of the serial-killer most talked of the moment, it can slip into the house of the ex-wife of that serial killer, ex-wife, whose son has just been kidnapped by the Faithful of that serial-killer, no one noticing? Here, there are two possible answers:

The FBI had not left anyone to guard the house of Claire. And then they are morons.
The FBI had left someone to guard the house of Claire, and that someone has run Jordy let pass under the nose. And then they are morons.
The let out from the mouth of a

character of the same criticisms that come from our own, of mouths (Weston harshly scolding the local police for the mistake), does not remedy the error.

 It seems a gimmick, clever or dishonest according to the opinion, to suggest a realism and self-awareness that the series can not boast of possessing.

The fact that the flaws of the show are indicated by the characters of the show within the show does not delete them mica, defects. As well as the monologue of Carroll in the final of the pilot did not erase the clichés generously bestowed by the same.
 Some people consider it a tribute to the classic genre, who considers him metatext (Carroll is making happen in reality what happens in the books!); for me, a stuff over and over again is a stuff over and over again. That Williamson is aware of what he writes, and write it well, does not eliminate the what.

The comparison between Hardy and Carroll, at the close of episode, has not only worsened my already bad impression: why Carroll, this man who is anxious to paint as educated, brilliant, charismatic and intelligent, to assume that Hardy killed her man? Why Carroll is so surprised, so upset?

 Jacob, Emma and Paul

There is also the fact that the villain do not work. And 'appreciable want to build and deepen the personal background of these characters, but the point is that Emma, Jacob and Paul, in this episode spread boredom with both hands.
 Any segment dedicated to them was flat and predictable, replete with bickering between her and him that contend the other of which he could not care less.

Emma, ​​in particular, adds another notch on the stick of clichés: the girl shy and tender, crushed by the mother-eating men, fans of the writer Carroll, Carroll fans murderess, steps and turns into matricide, another step and becomes the leader of this cell of fanatics and murder, complete with a cold eye, a steady hand and expressions from hard .I find it hard to consider credible antagonist behind a character with a story like that, so splashed and hasty.

Hannibal vs Dexter (Part 3) : Construction character

 
This level of comparison, perhaps the most interesting, is closely related to two ways, so different as to seem almost antithetical, to tell the bad.
 Hannibal is part of that trend that has evil through a mask so attractive to the point of dropping the viewer into the abyss. The charm of the evil protagonist is so strong that it can almost hide the destructive role he's playing. The feeling you have in front of a character like Hannibal Lecter is to be ahead of the other part of the reality, the bad part of the world that, as we try to avoid, and there is in our midst; the dark side of the moon before which often we tend to close our eyes to exclude its presence, but of which we can not help but feel its weight.



With Dexter's speech takes a completely different twist .. Dexter creates an intense empathic connection with the viewer, who unwittingly finds himself to root for a serial killer who, instinctively, he can not see the creepy side.
Having put on the table covered with plastic only criminals and showing us the careful investigation that led him to choose the victims, has meant that the public has focused more on the criminal, which he knows in detail the monstrosity of the crimes, which the protagonist, who in perspective becomes instinctual one who frees the world from the bad.




 A rational level changes the perception point of view, but it is precisely in the coexistence of these conflicting impulses (which Dexter creates in the viewer) that is the greatest strength of this twisted character. The identification, which takes place with the main character, creates a point of constant demand of what is right and what is wrong, and often these questions you can not provide any definitive answer; a feeling perhaps disorienting, but definitely alive. And it is for this strong feeling that the victory goes to Dexter that despite the slips of the last years, will remain one of the best characters created in recent years in the world of television.

Hannibal vs Dexter (part 2): History of the characters outside of the show

Hannibal Lecter, than Dexter, draws its strength from a decade past of memorable films and books, as well as the masterful performance by Hopkins in a state of grace.
The series starring Mads Mikkelsen, moving the action prior to the capture of the famous cannibal (before and after Red Dragon The origins of evil), we showed a novel Hannibal: a respected psychiatrist, the protagonist of a seemingly normal life which, among the meanderings of a fully equipped kitchen, hiding a horrible secret.
However, as would Dexter, "there are no secrets, only hidden truths," and it is at this level, where the reality of things is completely camouflaged in an appearance not only ordinary but exemplary, which lights up the red thread unites the two serial killers.

Hannibal vs Dexter

Dexter: "The Bay Harbor Butcher"


- Esperto negli schizzi di sangue, lavora per la scientifica nella omicidi di Miami.

- Punto di forza: Nessuno mantiente una stanza omicidio pulita come Dexter, accompagnato sempre dagli utili consigli del padre adottivo deceduto e da un codice da lui insegnato.

- Punto debole: Ricerca ossessiva della normalità e del basso profilo che logora il suo vero essere di sociopatico.




Hannibal: "Chesapeak Ripper"

- Psichiatra, collaboratore dell'FBI ed esperto chef.

- Punto di forza: Mente acuta, capacità elevate nella manipolazione della mente, ottimo disegnatore nonchè esperto di anatomia.

- Punti deboli: Come ogni psicopatico che si rispetta...il suo ego smisurato.


Chi sopravviverebbe per voi? Sarebbe Dexter a catturare ed uccidere Hannibal?
O sarebbe Hannibal ad avere Dexter per cena?

About Dexter - Che ruolo ha Harrison Morgan?

Come promesso, mi piacerebbe discutere più da vicino di Dexter.
Lo vorrei trattare in maniera un pò particolare, avrò letto un milioni di recensioni in questi anni, ma nulla che parlasse in maniera dettagliata dei personaggi, che mai come in questa serie sono numerosi.

Partirei subito a parlare di Dexter ma ho pensato che iniziare da suo figlio potesse motivare maggiormente la critica che bisogna rivolgerle, e parlerei di quei personaggi che nel bene o nel male mi hanno colpito, che nonostante qualche lacuna, resta La Serie degli ultimi dieci - quindici anni.


Harrison Morgan interpretato dal bambino Jadon Wells.

Il figlio del nostro protagonista che trascorre più tempo con le babysitter che con suo padre.
Più che un personaggio a cui ci si affeziona è un espediente narrativo: mi spiego...quando Harrison risponde all'agente: “Questo è il papà, questo sono io e questa è… la mamma”. Molto convenientemente, 30 secondi prima che arrivasse lo U.S. Marshall, Harrison aveva detto a Dexter: “Io vorrei che Hannah fosse la mia mamma“.
Alta tensione? Ma davvero?

Altra scena è quando cade ed Hannah è costretta ad andare all'ospedale, rischiando così di farsi trovare dalla polizia. Tutto, sempre e solo per la trama, nulla che ci faccia affezionare al personaggio, tutto sempre molto frettolosamente. Perché non fare 18 puntate? Contenuti da trattare non mancavano di certo e i fan neanche.
Harrison è stato trascurato da tutti fin dalla sua nascita...e con la morte di Rita muore anche la speranza di vedere raffigurato un bambino, che dovrebbe rappresentare la parte "buona" di Dexter.


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Irene Adler: differences between novels and Sherlock

The Woman of Sherlock Holmes

Irene Adler is not just the woman for Sherlock Holmes but, is The Woman for readers of Sherlock Holmes.

There's transposition, revision, discussions among fans who do not put the Adler as the predominant figure of the canon.

For several verses of Moriarty.
A what makes it so special? Adler managed to beat Sherlock in cunning, in advance of the game, disguise imparting a lesson in style and honor to the customer, but also the only character who tries to discover the private life Sherlock Holmes, and I intend to private sentimental, the detective.

The woman Moffat

The Adler Moffat is a dominatrix who loves power and power games.
Its customers are powerful and illustrious, his cell phone is an archive of confidential and 
compromising.

Adler becomes part of the life of Sherlock called to retrieve images that portray scabrous with a female member of the Royal family. The British Government and the CIA and unspecified enemies seek, but his game is, especially with Sherlock Holmes for the first time is in front of a person does not surprise by his deductions.



The perspicacity of Irene Adler, the courtship of Adler, make sure that Sherlock feels the threat of his intelligence, much to deprive yourself of what Sherlock loves most: highlight the intellectual inferiority of others.


Engage in a question and answer with Irene Adler Sherlock lead to bitter his cleverness and he cannot compromise his cool detachment.
Step back: Irene Adler is a series of clichés of femme fatale. The red fingernails, the choice of blood red lip, the entry unveiled effect.
But she had anticipated all this to say: every disguise ultimately is always a self-portrait, and she has presented step by step to one that is.

A Dangerous Woman. There you should never trust, especially when you feel special, so vulnerable.

For once it was Sherlock to see without looking. The attraction between two charismatic individuals and egomaniac like Sherlock and Adler cannot be unique. The Adler Moffat is therefore the Woman beats Holmes, but only with the whip. If there is victory, it is emotional: the bringing Sherlock to admit to having feelings. The banal - but only for the rest of the world - message of good wishes for the New Year is testimony.

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Irene Adler: differenze fra romanzi e Sherlock

Rinviato lo scontro tra Sherlock e Moriarty e introdotto il personaggio dei romanzi che più di ogni altro, nonostante la poca presenza attiva nei raconti, ha stimolato la fantasia per i lettori di Sherlock Holmes.
Proprio attraverso il cellulare, che Sherlock e la celebre Irene Adler vengono per la prima volta a contatto.


La Donna di Sherlock Holmes

Irene Adler è la donna per antonomasia, non solo per lo stesso Sherlock, ma anche per gli stessi lettori. Per molti versi la Adler appare nei racconti come più importante, dello stesso Moriarty. Predomina la scena, e per i cultori del genere sanno quanto questo personaggio sia delicato da rappresentare ed è un punto cruciale al fine di rendere la serie "speciale" in tutte le sue sfacettature.
A renderla così speciale è l’essere riuscita a battere Sherlock: non solo in astuzia e in gioco d’anticipo ma anche nel travestimento: il mondo del sentimento nel detective viene allo scoperto.
Sherlock Holmes è un personaggio letterario senza fine ed è naturale di cercare di conoscerlo più a fondo, e grazie alla Adler l'autore ci da la possibilità di tentare: ma Holmes è “sposato con il suo lavoro”.

L’attesa per la Adler di Moffat era altissima e prima ancora che fosse noto ci si domandava quante speranze avremmo avuto di poter osservare da vicino un nuovo Sherlock con meno logica e più emozioni.










La Donna di Moffat

La Adler di Moffat ama il potere e i giochi di potere.
I suoi clienti sono importanti ed illustri, il suo cellulare è un archivio di materiale riservato.
Il Governo Britannico, la C.I.A le danno la caccia, ma la vera partita è con Sherlock Holmes che per la prima volta si trova di fronte a una persona che non si stupisce davanti alla sua astuzia.

L’irritante fascino, la perspicacia di Adlere trasformano Sherlock in un uomo con delle nuove paure, quello di essere raggiunto: arrivando persino a privarsi di uno dei suoi aspetti che più lo caraterizzano: evidenziare l’inferiorità intellettuale di coloro che lo circondano.

Irene Adler è una serie di cliché di femme fatale. Le unghie rosse, il rosso per le labbra, l’entrata nella scena senza veli, apparendo come una donna pericolosa di cui non ci si dovrebbe fidare, soprattutto nel momento in cui ti fa sentire speciale, quindi vulnerabile. Tutto abbastanza prevedibile. Credevo, sinceramente, di vedere un tocco più profondo ed importante su questo personaggio, qualcosa che mi spingesse a ricordare questa attrice come non la solita Adler dei film di Sherlock Holmes, ma una trasposizione moderna del personaggio che invece manca, trasformata semplicemente in una donna che sfrutta la seduzione e la perspicacia per sottomettere i "suoi" uomini.
L’attrazione tra due individui carismatici ed egomaniaci quali Sherlock e Adler ha portato Irene a "I’m Sherlocked".

La Adler di Moffat è quindi la Donna che batte Holmes, solo emotivamente: l’aver portato Sherlock ad ammettere di poter provare dei sentimenti. Questo può essere una grande conquista per la trasposizione moderna, ma tra le conquiste di certo rimane la più banale.

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About Dexter - Harry's death, Did Vogel kill Harry??

There was a moment, after the director has shown those flashbacks of Matthews, who revealed the truth about Dexter's father that I thought, "But if it was Vogel to kill Harry?"

Yes, but we assume. There are some things that led me to talk about it; think for a moment when asked Debra videos to Vogel. The psychiatrist hides some videos, which means that Vogel has something to hide their children Morgan, and then.. In one of the latest videos Harry says: "Don't think I can live with this burden."
So believe that Harry committed suicide could be a risky proposition.

When Harry says that he did not want to live with that weight, I believed that he was going to confess to the police about what he and Vogel were doing, remember that Harry is an arrogant man, when he adopted Dexter was aware that he could become a sociopath and a disturbed, but went straight to his way.

Another consideration... when the police decide to commit suicide usually decides to shoot himself, hardly a cop with a beautiful career, decide to use poisons to get it over with. It seems to me a technique that would use much more a woman, as Vogel.




Only I have thought about this theory?
All the pieces back in their place, and let's be clear, a psychiatrist who wants to convince a serial killer to "convert" to another on the same principles, is a woman capable of murder.



What do you think?
Maybe it's all a coincidence, but think about it for a moment, after all this, for Dexter... and much more.








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Dexter - the best season?

It is difficult to judge a series that has been with us for years, sharing many experiences, very moving us deeply.

And Dexter is part of this group of series that deserves a special bracket, making sure to analyze the strengths and weaknesses of this show that has revolutionized the idea and the concept of the TV series. What differentiates Dexter Morgan from a Patrick Bateman (American Psycho) is in a code of ethics, he learned from his father Harry, when he realized the homicidal tendencies of his son. The intelligent use of voice-over to explain the thoughts of the character is a great way to delineate the border that separates the viewer from the character, a line to which we often approach but do not pass it.

But first of all, of the eight seasons; what season you have more passionate?


Review them with two words..


                                                                                Season 1: You start to know Dexter, the serial killer, Dexter's father, his past and his brother Brian.
So begins one of the most intriguing series of all time, and the first season is the perfect synthesis of what should be expected.

Season 2: The second season as the protagonists' investigation of the Bay Harbor Butcher and Doakes who suspects Dexter.
Doakes is discovered in all his skills as a detective. Exciting until the last moment, perhaps a little bit contrived the way the director decides to get rid of the "problem Doakes."










Season 3: For the first time in his life Dexter shares his thoughts and his actions murderer with someone: Miguel Prado.
Going from friend to foe in less than a season and marrying Rita.

Season 4: We know the Dexter family guy and especially Trinity.
Rita's death profoundly affects the viewer. Maybe the season with the most dramatic of the entire series.








Season 5: The guilt of Dexter for the death of Rita, Dexter's baby, the relationship with Lumen, the research group of serial rapists and their leader Jordan Chase.










Season 6: The serial killer Doomsday and brother Sam, perhaps the only positive this season quite anonymous.









Season 7: Debra knows the "Dark Passenger" Dexter, Hannah ("True Love" Dexter), Isaak and death of LaGuerta.
The pathos of this season reach high levels, achieved only with the death of Rita.










Season 8: For better or for worse, all the recall.
No comment.

Which one do you choose?




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